Texas Church Project
A collaborative film photography project documenting historic Texas churches, exhibited in Dallas and at UNT and Texas Tech. The project was featured on Texas Country Reporter.
I’m Jeremy Moore, a fine-art photographer, master printmaker, and creative technologist. Through Moore Creative Arts, I move between image making, cultural heritage digitization, software, and teaching.
Photography, digitization, and creative systems—work shaped by curiosity about images and how they are made, cared for, and shared.
A collaborative film photography project documenting historic Texas churches, exhibited in Dallas and at UNT and Texas Tech. The project was featured on Texas Country Reporter.
Played an integral role in digitizing the 1555 edition of Álvar Núñez Cabeza de Vaca’s book and creating the online exhibit for The Wittliff Collections at Texas State University. Featured in the project video discussing the digitization and shown capturing pages from the book.
As principal investigator, led a grant-supported project to build a camera-based system for digitizing an at-risk local history collection of more than one million film negatives.
Grant record ↗ · Published workflow ↗ · Bobcat Update feature ↗
Digitized music photographs, including images of Bo Diddley and Willie Nelson, then prepared exhibition-quality prints for The Wittliff Collections’ photography gallery. Other work included restoring and enlarging a Jerry Jeff Walker album cover for an exhibition and producing a framed image of the handwritten legislation that established Texas State for display at the university’s archival research center.
Built the university’s first camera-based digital imaging lab to federal FADGI four-star standards. For a 500,000-image project, custom image and metadata quality-control automation was estimated to save 14,285 hours and $128,500 over the project’s lifetime.
Prepared and normalized data spanning more than 10 million documents and 25 million images, and helped secure funded open-access hosting for a multi-terabyte research dataset. The OIDA team received the Society of American Archivists’ 2023 Archival Innovators of the Year award.
Explore the OIDA dataset on AWS ↗ · Keystone DH presentation listing ↗
White papers, articles, workshops, and conference presentations on photography, digitization, and practical tools for imaging teams.
Contributing author to this Digital Object Authenticity Working Group (DOAWG) white paper, which frames authenticity in heritage digitization around provenance, visual accuracy, and context. The linked document is the February 2026 draft prepared for IS&T Digitips distribution.
Keystone Digital Humanities · 2023 · Presented with Richard N. Leigh.
Webinar with Doug Peterson of Digital Transitions, introducing Python for cultural heritage digitization. Part of DT’s four-session coding series; recommended by IS&T Archiving for attendees new to Python.
Watch the webinar ↗ · DT Coding Series ↗ · IS&T Archiving course reference ↗
Featured guest presentation by Jeremy Moore in Digital Transitions’ 2020 coding series; the Project Lemonade archive lists the session as “Getting Started, Together.”
Watch the presentation ↗ · DT Coding Series ↗ · Project Lemonade listing ↗ (archive access by request)
Co-presented with Doug Peterson of Digital Transitions at the 2020 West Coast Roundtable at Pepperdine University. Demonstrated custom code for OCR’d PDFs, hashtag generation, and cropping quality control.
A framework for success, based on experience at the University of Tennessee Libraries.
A case study in end-user development for digitization, published in the Archiving 2020 proceedings.
Conference presentation on image workflows at Code4Lib Southeast.
Research on camera capture as a method for large-scale photographic negative digitization.
A hands-on workshop using Python and Jupyter notebooks for image quality control.
Presented with Megan North and Todd Peters at TCDL 2017. Described work to develop and evaluate camera-based capture stations for the at-risk San Marcos Daily Record negative collection, comparing image quality and production speed with legacy scanners.
Poster with Megan North, Todd Peters, and Erin Mazzei, presenting a case study in improving the speed, cost, and process of digitizing the Board of Regents reports and minutes.
Presented with Jason Long and Todd Peters at TCDL 2016. Described a scalable process for digitizing print theses, combining document scanning with scripted batch processing, image cleanup, file organization, and OCR.
Presentation with Derek Rankins on using visual arts pedagogy to train digital imaging technicians.
My MCN 2014 presentation described scaling UNT’s imaging lab as its student team grew from 4 to 14–18 assistants. I showed how MediaWiki project and student pages, standardized “action folders,” and Python scripts helped coordinate workflows and track production metrics. Presented on the panel “Herding Cats: Four Imaging Managers Share Their Admin Secrets.”
Workshop on using ImageMagick from the command line to manipulate images.
Presentation with Hannah Tarver on effective collaboration for digital projects.
Presentation with Mark Phillips and Nathan Hall on the fundamentals of digitization.
Presentation with Sarah Lynn Fisher on tools for managing digital objects.
Presentation with Mark Phillips describing digitization workflows at UNT’s Digital Projects Unit.
More than two decades of making, building, teaching, and helping institutions care for collections at scale.
Moore Creative Arts LLC · Creative production, consulting, software, digital media, and an ongoing fine-art photography practice.
Johns Hopkins University · Opioid Industry Documents Archive, Bloomberg School of Public Health. Prepared and normalized data across more than 10 million documents and 25 million images, and helped secure funded, open-access hosting for the multi-terabyte research archive, now listed in the AWS Open Data Registry ↗.
University of Tennessee Libraries · Built and led a camera-based imaging lab; developed automated quality-control workflows.
Texas State University · Digital imaging, community partnerships, and undergraduate digital photography.
University of North Texas Libraries · Developed digitization workflows and led production for the Portal to Texas History and UNT Digital Library, scaling the lab from 2 to 20 part-time student employees.
University of North Texas · Assisted with online Art Appreciation and taught B&W Photography I; maintained darkroom chemistry and student equipment.
The University Daily · Texas Tech University, Lubbock, Texas.
The Lake Cities Sun · Lake Dallas, Texas.
A selection from an ongoing photographic practice, including solo and two-person exhibitions, juried shows, installations, and commissions.
The Walkers’ Gallery · San Marcos, Texas.
Two-person exhibition with Samantha Moore · East Main Grill, Johnson City, Texas.
Alkek Library, San Marcos, Texas.
Alkek Library, San Marcos, Texas.
Alkek Library, San Marcos, Texas.
Solo MFA exhibition · Cora Stafford Gallery, Denton, Texas.
Juror: Dr. David Lewis · Fotofoto Gallery, Huntington, New York.
NorthPark Center, Dallas, Texas.
UNT Art on the Square, Denton, Texas · Best in Show, Black & White Photography and Color Photography.
Juror: Diana Bloomfield · Lightbox Gallery, Astoria, Oregon.
Center for Fine Art Photography, Fort Collins, Colorado · Selected by Director Hamidah Glasgow for the LiveBooks award.
UNT Art on the Square, Denton, Texas.
Bath House Cultural Center, Dallas, Texas.
Jurors: Terry and Kathleen Malan Thompson · Lightbox Gallery, Astoria, Oregon.
Commissioned cover photographs for JAC (2010) and a 4 × 8 ft photographic mural for the University of North Texas (2008).
Solo show · The Union Gallery, Denton, Texas.
Cora Stafford Gallery, Denton, Texas.
Juror: David Bram · Fraction Magazine online exhibition.
Exhibition curated by Jeremy Moore · Rare Book & Texana Collections, Denton, Texas.
Cora Stafford Gallery, Denton, Texas.
Lightwell Gallery, Denton, Texas.
Collaborative installation with Andie Sterling · Fulton Street, Denton, Texas.
Photographs Do Not Bend, Dallas, Texas.
Collaborative photographic project documenting historic Texas churches; exhibited at The Union Gallery in Denton and featured on Texas Country Reporter.
Juror: Will Michels · FotoFest, Houston, Texas.
My creative practice grew from a love of photography and the craft of making prints. I work across analog, alternative-process, and digital darkrooms, and I’m drawn to the ways careful looking can reveal both order and surprise in everyday places.
Alongside my art practice, I build imaging and data workflows for libraries and archives. That work brings together photographic craft, practical engineering, and a commitment to helping people discover and use cultural collections.
I hold an MFA in Photography from the University of North Texas. UNT Special Collections holds a collection of my photographs ↗
For collaborations, opportunities, and inquiries: Jeremy@MooreCreativeArts.com